His father, Max Sr. His mother, Helene, came from the Fallenstein and Souchay families, both of the long illustrious Huguenot line, which had for generations produced public servants and academicians. His younger brother, Alfred, was an influential political economist and sociologist, too. Also, his parents represented two, often conflicting, poles of identity between which their eldest son would struggle throughout his life — worldly statesmanship and ascetic scholarship.
Launched in tandem with the eponymous exhibition at greengrassi and Corvi-Mora in London, the publication features visual documentation of multiple art-anthropology exchange processes, ethnographic texts, and further written contributions that introduce contemporary Mongolia as a dynamic site for conceptual and creative experimentation.
With this strategy, Thomas worked against his own historicization, erasing his name from the reigning European and North American art fields.
The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications. A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art.
Mikkel Bolt RasmussenHegel after Occupy Hegel after Occupy is a Western Marxist analysis of different attempts to understand the present historical situation and the way theories of postmodernity, globalization, and contemporaneity implicitly or explicitly conceptualize the relationship between the historical present and political action.
They all persuasively describe a breakdown of former historical categories but paradoxically end up understanding this breakdown as the end of politics tout court.
The book is both part and result of the intensive sharing of ideas to produce something that captures the spirit of both discussions at that time and the publication process as a temporal form.
The only performances that make it all the way Yes, but is it performable? Written between andthe texts range from public statements, poetic short prose, and film scripts to reflections on the role of the artist and essays on art for children. Magali ReusHot Cottons As mist, description This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history.
It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants. Focusing on a rich ten-year period of production that began in the mid-sixties, it brings new attention to the artistic and intellectual practice of a figure known primarily as one of the main exponents of the Radical Architecture movement.
For two years the writing process and the artistic process were interwoven, feeding each other as they evolved. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants.
The internet has collectively bound human society, replacing the world as the network of all networks. Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network.
This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value.
Erik Hagen, Mario Pfeifer Eds. Profit over Peace in Western Sahara How commercial interests undermine self-determination in the last colony in Africa Profit over Peace in Western Sahara examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization.
Josephine Prydelapses in Thinking By the person i Am In the body of work documented here, Pryde combines a series of color photographs of hands touching objects with a scale-model freight train and track, replete with miniaturized graffiti, that took visitors in a short ride through the exhibition.
Through photography and sculpture, Pryde pays close attention to the nature of image making and the conditions display, subtly reworking codes and conventions to alter our cultural perception and understanding of each.
Su-Mei TseNested Marked by her cosmopolitan origins, between Europe and Asia, and by an attention to the sonorous dimension of the world, the practice of Su-Mei Tse involves issues such as time, memory, musicality, and language. Ellen CantorA history of the world as it has become known to me Ellen Cantor — combined ready-made materials with diaristic notes and drawings to probe her perceptions and experiences of personal desire and institutional violence.
Jennifer BornsteinPrints Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University.
These works are contextualized by earlier projects in drawing, film, and artist books that span the s to the present. Presenting new research on the artist and providing an unprecedented overview of two decades of work, the book features eleven essays and two interviews, alongside richly illustrated project pages and texts by the artist.
How do artists work today?
Has the pluralism of art given way to a pluralism of roles that artists may occupy? What are the contemporary conditions of labour producing this new state of affairs, and what re-skilling does it ask of artists? These are some of the questions addressed in The Artist As.
The New Performance Turn, Its Histories and Its Institutions The choreographic turn in the visual arts from to can be identified by the sudden emergence of works created by different visual artists around the world. Each used dance or choreographic procedures to reinvent, reimagine, and reimage how the visual arts produced and conceived its images and objects.
Disassembling Histories of Racialized Violence aims to question and provide answers to current border issues in Europe. Central to this investigation is a refugee crisis that is primarily a crisis of global Western capitalism and its components: Natasha Ginwala, Daniel Muzyczuk Eds.
The Museum of Rhythm The Museum of Rhythm is a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience.
When entering a larger cultural infrastructure such as the art museum, it juxtaposes modern and contemporary art with ethnographic research, cinema, music, and scientific instruments to set in resonance a critical apparatus and conduct exercises in Rhythmanalysis.
This book, and the exhibition upon which it is based, is an outcome of durational research that sees art as one of the means by which the ideologies of rhythm are implemented.Weber’s theory uses the model of bureaucracy to symbolize the constant shifting ways of our society.
Rationalization is the process of replacing rationally consistent rules for conventional or rather illogical rules within society. Max Weber's work has had a profound impact on sociology. In this lesson, we define and discuss his theory of rationalization and how it has changed social groups and society as a whole over time.
Rationalization of society is a concept first explored by Max Weber. Learn more about the rationalization of society and see some examples, and then test your knowledge with a quiz.
The Protestant Ethic and the Spirit of Capitalism (German: Die protestantische Ethik und der Geist des Kapitalismus) is a book written by Max Weber, a German sociologist, economist, and caninariojana.com as a series of essays, the original German text was composed in and , and was translated into English for the first time by .
In a similar fashion, the sociologist Rodney Stark has gathered together disparate sources of historical and economic analysis to illustrate the origins of capitalism and major breakthroughs in the theory and practice of wealth creation in the medieval period. Max Weber's Comparative-Historical Sociology [Stephen Kalberg] on caninariojana.com *FREE* shipping on qualifying offers.
The revival of historical sociology in recent decades has largely neglected the contributions of Max Weber. Yet Weber's writings offer a fundamental resource for analyzing problems of comparative historical development.